<?xml version="1.0" encoding="utf-8"?>
<?xml-stylesheet type="text/xsl" href="https://www.snipit.org/public/rss2html.xsl"?>
<!-- Generated by: http://www.phpclasses.org/rsswriter $Revision: 1.7 $ -->
<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns="http://purl.org/rss/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/">
 <channel rdf:about="https://www.snipit.org/public/alan/rss_channel.php?catid=375">
  <description/>
  <link>https://www.snipit.org/public/alan/viewchannel.php?catid=375</link>
  <title>Snip!t channel - Alan Dix: Channels &gt; cognition and art &gt; postmodern</title>
  <dc:date>2016-08-17T12:16:15Z</dc:date>
  <image rdf:resource="https://www.snipit.org/images/scissors.gif"/>
  <items>
   <rdf:Seq>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=1575759"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=69407"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=43709"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=18406"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=2834"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=2833"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=2830"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=2829"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=2828"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=2709"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=2595"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=2053"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=1010"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=967"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=269"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=268"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=132"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=131"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=130"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=129"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=128"/>
    <rdf:li rdf:resource="https://www.snipit.org/public/alan/viewsnip.php?id=127"/>
   </rdf:Seq>
  </items>
 </channel>
 <image rdf:about="https://www.snipit.org/images/scissors.gif">
  <url>https://www.snipit.org/images/scissors.gif</url>
  <link>https://www.snipit.org/public/alan/viewchannel.php?catid=375</link>
  <title>Snip!t logo</title>
  <description>Snip!t channel - Alan Dix: Channels &gt; cognition and art &gt; postmodern</description>
 </image>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=1575759">
  <description>Guy DebordÃ¢â¬â¢s (1931Ã¢â¬â1994) best-known work, La sociÃÂ©t...  (The Society of the Spectacle) (1967), isÃÂ a polemicalÃÂ and prescientÃÂ indictment of our image-saturated consumer cu...  examinesÃÂ the Ã¢â¬ÅSpectacle,Ã¢â¬Â DebordÃ¢â¬â¢s term for the e...  manifestatio</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=1575759</link>
  <title>An Illustrated Guide to Guy DebordÃ¢â¬â¢s Ã¢â¬ËThe Society of the SpectacleÃ¢â¬â¢</title>
  <dc:source>http://hyperallergic.com/313435/an-illustrated-guide-to-guy-debords-the-society-of-the-spectacle/</dc:source>
  <dc:date>2016-08-17T12:16:15Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=69407">
  <description>Impostor</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=69407</link>
  <title>xkcd - A Webcomic - Impostor</title>
  <dc:source>http://xkcd.com/451/</dc:source>
  <dc:date>2008-11-17T18:07:44Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=43709">
  <description>The Journal of Writing in Creative Practice is the offic...  Writing Purposefully in Art and Design (Writing PAD) net...  art and design institutions an arena in which to explore...  notion of thinking through writing as a parallel to visu...  art and des</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=43709</link>
  <title>Writing PAD : The Journal of Writing in Creative Practice</title>
  <dc:source>http://www.writing-pad.ac.uk/index.php?path=photos/19_The%20Journal%20of%20Writing%20in%20Creative%20Practice/</dc:source>
  <dc:date>2008-05-13T10:25:22Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=18406">
  <description>Pecha Kucha (Ã£ÆÅ¡Ã£ÆÂÃ£ÆÂ£Ã£âÂ¯Ã£ÆÂÃ£ÆÂ£, ?) or Pecha Kucha Night...  format in which (mostly creative) work can be easily and...  It was originally devised by Astrid Klein and Mark Dytha...  Architecture (KDa) in Tokyo in 2003 as a place for young...  meet, netwo</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=18406</link>
  <title>Pecha Kucha - Wikipedia, the free encyclopedia</title>
  <dc:source>http://en.wikipedia.org/wiki/Pecha_Kucha</dc:source>
  <dc:date>2007-11-11T16:15:15Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=2834">
  <description>The foundations of spatial analysis span many discipline...  generations of researchers and practitioners. CSISS Clas...  summaries and illustrations of major contributions to sp...  the social sciences. Primary emphasis is given to resear...  with an att</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=2834</link>
  <title>CSISS Classics</title>
  <dc:source>http://www.csiss.org/classics/</dc:source>
  <dc:date>2006-12-03T08:38:34Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=2833">
  <description>One of Lynch&apos;s innovations was the concept of place legi...  essentially the ease with which people understand the la...  By introducing this idea, Lynch was able to isolate dist...  city, and see what specifically is making it so vibrant,...  people. To</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=2833</link>
  <title>CSISS Classics - Kevin Lynch: City Elements Create Images in Our Mind, 1960</title>
  <dc:source>http://www.csiss.org/classics/content/62</dc:source>
  <dc:date>2006-12-02T13:49:46Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=2830">
  <description>Professor of Psychology Elizabeth Spelke did experiments...  contrary to what many scholars believed, children learn ...  independently about objects before they learn language. ...  Rose Lincoln/Harvard News Office)</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=2830</link>
  <title>Harvard Gazette: Which comes first, language or thought?</title>
  <dc:source>http://www.news.harvard.edu/gazette/2004/07.22/21-think.html</dc:source>
  <dc:date>2006-12-01T20:30:34Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=2829">
  <description>Theoretically, the number of numbering systems is unlimi...  complete (used by the divinities and the angels) has an ...  symbols, one for each individual number; the simplest ne...  is written as 0, one 1, two 10, three 11, four 100, five...  seven 111,</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=2829</link>
  <title>ANALYTICAL LANGUAGE OF JOHN WILKINS</title>
  <dc:source>http://agents.umbc.edu/misc/johnWilkins.html</dc:source>
  <dc:date>2006-12-01T19:56:20Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=2828">
  <description>What is Literature?&#10;A Definition Based on Prototypes&#10;Jim Meyer&#10;(10 pages, 49 Kb)&#10;... ad aesthetically, and containing many weak implicatures.</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=2828</link>
  <title>1997 SIL-UND Work Papers Table of Contents</title>
  <dc:source>http://www.und.nodak.edu/dept/linguistics/wp/1997.htm</dc:source>
  <dc:date>2006-12-01T19:38:03Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=2709">
  <description>Technoetic Arts&#10;A journal of speculative research&#10;Edited by Roy Ascott, The Planetary Collegium.&#10;This peer-reviewed journal presents the cutting edge of  ...</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=2709</link>
  <title>Technoetic Arts - Journals - Intellect</title>
  <dc:source>http://www.intellectbooks.co.uk/journals.php?issn=1477965X</dc:source>
  <dc:date>2006-11-16T17:51:15Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=2595">
  <description/>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=2595</link>
  <title>Amazon.com: The Power of Place (P.S.): Books: Winifred Gallagher</title>
  <dc:source>http://www.amazon.com/o/ASIN/0060976020/ref=s9_asin_title_2/102-7291117-2044159</dc:source>
  <dc:date>2006-11-05T16:03:42Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=2053">
  <description>The mapÃ¢â¬âterritory relationÃ¢â¬âthe relationship between ...  objectÃ¢â¬âis one of the lasting philosophical quandaries.&#10;Coined by Alfred Korzybski, The map is not the territory ...</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=2053</link>
  <title>MapÃ¢â¬âterritory relation - Wikipedia, the free encyclopedia</title>
  <dc:source>http://en.wikipedia.org/wiki/MapÃ¢â¬âterritory_relation</dc:source>
  <dc:date>2006-08-28T12:23:41Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=1010">
  <description>Special Issue #5: Virtual Architecture at State of Play ...  2005</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=1010</link>
  <title>First Monday Special Issue #5: Virtual Architecture at State of Play III</title>
  <dc:source>http://firstmonday.org/issues/special11_2b/</dc:source>
  <dc:date>2006-02-09T16:12:28Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=967">
  <description>Semiotics, Communication, and Cultural Theory:&#10;          Basic Assumptions</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=967</link>
  <title>Semiotics and Communication</title>
  <dc:source>http://www.georgetown.edu/faculty/irvinem/theory/Semiotics_and_Communication.html</dc:source>
  <dc:date>2006-02-05T19:44:22Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=269">
  <description/>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=269</link>
  <title>ENL 424: Postmodern U.S. Discourses Home Page</title>
  <dc:source>http://www.culik.com/weatherr/Pomo/Home.html</dc:source>
  <dc:date>2005-05-16T18:14:53Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=268">
  <description>These would be the successive phases of the image:&#10;1 It is the reflection of a basic reality.&#10;2 It masks and perverts a basic reality.&#10;3 It masks the absence of a basic reality.&#10;4 It bears no relation to any reality whatever: it is it ...</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=268</link>
  <title>Baudrillard_Simulacra and Simulations</title>
  <dc:source>http://www.stanford.edu/dept/HPS/Baudrillard/Baudrillard_Simulacra.html</dc:source>
  <dc:date>2005-05-16T14:28:01Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=132">
  <description>oundary Object: %u201CArtifacts, Documents and perhaps e...  can help people from different communities build a share...  Boundary objects will be interpreted differently by the ...  communinities, and it is an acknowledgement and discussi...  differences</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=132</link>
  <title>Peter Van Dijck&apos;s Guide to Ease Â» Taxonomy is a boundary object</title>
  <dc:source>http://www.poorbuthappy.com/ease/archives/2003/10/31/1860/taxonomy-is-a-boundary-object</dc:source>
  <dc:date>2005-01-27T19:38:42Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=131">
  <description>I first encountered the term boundary object when reading %u201CDistributing intelligence, organizing diversity,%u...  of a silicon alley new media firm. In it David Stark, re... &#10;    What Star teaches us is that the fact that we all un ...&#10;Star, S. L. an</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=131</link>
  <title>*Pixelcharmer: Field Notes: Boundary Object</title>
  <dc:source>http://www.pixelcharmer.com/fieldnotes/archives/process_researching/2003/000392.html</dc:source>
  <dc:date>2005-01-27T19:32:15Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=130">
  <description> I call these boundary objects, and they are a major met... &#10;   heterogeneous problems. Boundary objects are objects  ...&#10;   enough to adapt to local needs and constraints of the ...&#10;   employing them, yet robust enough to maintain a commo ...&#10;...    46-4</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=130</link>
  <title>Library Trends: The Dynamics of Classification Systems as Boundary Objects for Cooperation in the Electronic Library - systems should work in tandem with users</title>
  <dc:source>http://www.findarticles.com/p/articles/mi_m1387/is_2_47/ai_54050965/pg_3</dc:source>
  <dc:date>2005-01-27T19:04:39Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=129">
  <description>Susan Leigh Star and James Griesemer, Ã¢â¬ÅInstitutional E...  Ã¢â¬ËTranslations,Ã¢â¬â¢ and Boundary Objects:Amateurs and Pr...  BerkeleyÃ¢â¬â¢s Museum of Vertebrate Zoology, 1907-1939,Ã¢â¬Â...  Science, 19: 387-420</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=129</link>
  <title/>
  <dc:source>http://weber.ucsd.edu/~lstar/home.htm</dc:source>
  <dc:date>2005-01-27T18:58:57Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=128">
  <description>rian Marick, Boundary Objects&#10;An analytical concept from science studies: does it appl ...</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=128</link>
  <title>Analogy Fest</title>
  <dc:source>http://www.visibleworkings.com/analogyfest/</dc:source>
  <dc:date>2005-01-27T18:33:34Z</dc:date>
 </item>
 <item rdf:about="https://www.snipit.org/public/alan/viewsnip.php?id=127">
  <description>oundary objects &apos;have different meanings in different so...  their structure is common enough to more than one world ...  recognizable, a means of translation&apos; (Star and Grieseme...</description>
  <link>https://www.snipit.org/public/alan/viewsnip.php?id=127</link>
  <title>Preparing for opening night: temporal boundary objects in textually-mediated professional practice</title>
  <dc:source>http://informationr.net/ir/10-1/paper211.html</dc:source>
  <dc:date>2005-01-27T18:28:50Z</dc:date>
 </item>
</rdf:RDF>